Last Friday night I presented to a fairly large group at the New Architects Drinks Talk in the offices of Multiplicity. This is a new initiative by Eugenia Tan of Breathe Architecture and a great idea that I suspect will continue to grow.
Some other presentations included Mihaly Slocombe Architects, Harrison and White, MAKE & Studio Index amongst others, some excellent talent and I felt privileged I was a part of it.
I love these old stairs, the last one I saw was in the Duomo in Florence (the Basilica di Santa Maria del Fiore, Firenze) and this was completed in 1436AD, that’s 576 years ago.
I want to build one. What are the chances that a client in 2012 will ask for one of these? If anyone else likes the look of these, please contact me and we can make it happen.
Another ripper by Wiley Miller via The Washington Post.
Merry Christmas and all the best for the New Year from Steve Rose Architect.
Start them off early. Lego for Little Architects is on this Sunday the 30th of October at the BMW Edge in Federation Square, bringing architecture to the public in a new way; this one is for the kids.
The Melbourne Architecture | Annual week is nearing it’s end for 2011. I am looking forward to the coming years of the MA|A and plenty more events. A big thanks to Shelley Roberts the Guest Curator, Nic Granleese and all the people involved in this initiative, well done.
An upcoming Melbourne Architecture Annual (MA|A) event “Designing houses for rock stars and artists” is on this Wednesday, Oct 26. If you want to come along, book your tickets here, its sponsored by Our Houses. The image above is Callum Morton’s house that was designed by architect Chris de Campo. A great way to understand the design process is to listen to them both talk about their experience. Architect Stuart Tanner and Violent Femmes bass player Brian Ritchie will also talk about their project.
The Age recently ran an article by Joanna Brookfield which is a good read. Joanna interviews Cameron Bruhn of Our Houses about this idea; ”And what about the role of these clients in this relationship? Are they different to the usual, being creative themselves? No, it turns out they’re not,” Bruhn says. ”They’re still interested in the same things, they’re still interested in the amount of storage space, where the kids are going to sleep, the kitchen layout.”
In the same vein, a few years ago I heard Roger Wood of Wood Marsh talk with Juliana Engberg, the curatorial director of the ACCA, this gave great insight and it reinforced how important this relationship is to any design process.
I’ve booked my tickets for the AS Hook Address. Graeme Gunn is the AIA 2011 Gold Medalist and he will be talking about his work.
Recently the RIBA (Royal Institute of British Architects) instigated and are promoting a great brochure on the value of good design. It is worthy of a read. The question is, how do we let the public and commercial sectors know about this?
The compete document can be found here.
You may pick two.
I recently found graphic designer Colin Harman who has created these fantastic Venn diagrams for his profession (how would you like your graphic design?). I saw this as totally appropriate for our industry and asked if he could make a small change. He was more than happy and sent some of these posters for myself and a few colleagues. If you are keen to get your hands on one of these puppies then contact him through his website.
We need an open competition for a new Australian Venice Biennale Pavilion. If you have not already signed this petition, please do. Go to the OpenHaus site and follow the instructions.
A big thank you to Phillip Cox for the temporary pavilion, I am sure he is looking forward to seeing the results.
The exhibition of entries is running for this week only until Sunday 26 June. Go take a look at Thousand Pound Bend Gallery located at the rear of 361 Little Lonsdale Street Melbourne.
Mon – Fri from 8am to 7pm
Sat & Sun from 11am to 7pm
Richard Leplastrier awarded an AO for distinguished service to architecture, particularly through the application of environmentally sensitive design, and as an educator and mentor.